I’m a blend of things that don’t always match on paper — tattoos and backyard chickens, early-2000s emo and long mountain drives, equal parts dirtbag and western romantic with a soft spot for homesteading dreams.
I grew up in Florida but felt pulled back to Colorado, where I was born. When the opportunity came to move, the mountains felt less like a decision and more like a return. Big landscapes have a way of putting things in perspective, and that perspective shapes how I photograph people in them.
There’s something sacred to me about being a witness. I’ve always been the person who notices. I think my love of photography comes from that same place. A deep desire to see people well… and maybe to be seen that way, too.
Photography has been with me since high school. I don’t know if it was instinct or stubbornness that kept me here, but years later I’m still in it. Still moved by the people I meet, the places I stand, and the quiet responsibility of documenting something that won’t happen the same way twice.
High desert and open plains.
Mountain passes and alpine lakes.
Windy ridge lines and gravel roads.
Weathered towns and edges of nowhere.
I’m drawn to places where light does most of the talking. Where standing still for a minute changes how you feel.
The location should support the story, not compete with it.
At the center of every image is still you.
The landscape is there to give it room to breathe.
I travel often for work, both locally throughout Colorado and nationally when the story calls for it.
I’m most inspired by landscapes that create perspective, not spectacle. Wide-open spaces that quiet the noise. Places that hold their own without needing to be styled or dressed up. Landscapes that expand the frame without swallowing the story.
I’m equally drawn to the opposite end of the spectrum — studios flooded with natural light, or spaces that ask for a little grit and intention. Clean walls, long shadows, concrete floors, windows that do all the heavy lifting. And when the moment calls for it, I love leaning into on-camera flash. That crisp, high-contrast, editorial edge that feels composed without feeling cold. Different setting, same goal: images that feel considered, confident, and grounded in presence.
Family
Styled Elopement
Styled Elopement
Elopement